![]() The song, this time and myself, we become ever more strangers. Somewhere I thought I would have to sing this damn song for the rest of my life. Every time I released a new album people would come up to me and say how much they liked 'Kids in America'. I carry a lot of the past around with me - most of all 'Kids in America'. OK, it is a comeback, but in many ways it is also a new start. Is it a classic comeback for you, or a brand new start? It was somehow liberating and very positive, this record is a big surprise for me - "Never say never". During the time I considered this I met my husband - the man I'd searched for my whole life. If I were to do this all the time, then I would be a permanently rolling stone. The endless writing, touring, promoting - I found out that I would never have a life of my own. I got married and thought that music was over for me. I went out of the music business 10 years ago and I was sure that was it. But it was a fitting title, because until recently even I didn't know that I would record this album. What moved you to record this album, named 'Never say never' - does it remind Sean Connery's film, or has it got nothing to do with that? ![]() First we wait a little for the lady, but what does it matter. And now, around 18 years later, I sit at Antenna Thuringia and chat with a good humoured, relaxed and still damned good looking Kim Wilde to chart about her new album, shopping and the market garden (one hardly believes it, but Kim wrote two books about gardening!). Next Saturday already, when everyone knew to hold a full-extent short lecture, while one pulled oneself the tennis sock over the pale little legs. Yes, I must have been around 14 years old, when my friend Vincent, who had blue eyes, entered the dressing room of a tennis hall one Saturday and declared to us fools that Sabrina was out, despite her two assets: Kim Wilde, spoke pop demagogue Böcking in his TV programme 'Formel 1', was now the best - and he was right. Please make sure to step on the time measure mat when you enter and leave a location for the cultural break.Gentlemen!!! I have met with Kim Wilde. Weimar's Reservoir, the home of a music conservatory, and the German National Theater will play as much of a role as the wealth of bands and the off-culture scene that Weimar and its surroundings has to offer. In these villages, but also everywhere else along the track, the runners will not only be treated well from a culinary standpoint, but they will be able to enjoy incomparable music, as well. In the footsteps of Lyonel Feininger, one of the most recognized Bauhaus artists, participants can enjoy the cultural monuments that Feininger recorded in his sketchbooks in the midst of the lovely Thuringian nature, which inspires art lovers all over the world in the large galleries! In particular, the church in Gelmeroda, but also those in Vollersroda and Mellingen, were among Feininger’s favorite motifs, accompanying his work his entire life. There will be thematic tours, concerts, and performances. One of the unique things about this race is undoubtedly the cultural breaks: these are points when the participants can leave the track to absorb culture. List of prohibited articles in the start / finish areaĬulture and Sport go hand in hand: Time for Culture during the 100 years of bauhaus marathon.What is the 100 years of bauhaus marathon.
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